upcoming performances
West Side Story
Performing as Maria
In German and English language with German and English surtitles
Based on a Conception of Jerome Robbins
Book by Arthur Laurents
Music by Leonard Bernstein
Lyrics by Stephen Sondheim
German translation of the dialogs by Marcel Prawy
Die Zauberflöte
Performing as Pamina
In German language with German and English surtitles
The story of The Magic Flute begins like an adventure: a prince rescues a princess from a dark ruler, accompanied by a birdcatcher and magical devices. But the boundaries between good and evil, light and dark become blurred and the characters are far more complex.
Oper, Musical und Weihnachtszauber
Musik verbindet, berührt und schafft besondere Momente – gerade in der Weihnachtszeit.
Mit diesem Gedanken laden wir Sie zu einem abwechslungsreichen und stimmungsvollen Konzertabend ein. Gemeinsam nehmen Sie die Sopranistin Gemma Nha, internationale Solistin und Ensemblemitglied der Wiener Volksoper, der Wiener Neustädter Bariton Clemens Alexander Frank, zuletzt mit Auftritten an renommierten internationalen Opernhäusern, darunter die Opéra de Paris, sowie die gefragte Pianistin Nina Violetta Aichner, die beide Sänger seit vielen Jahren auf ihrem musikalischen Weg begleitet, mit auf eine musikalische Reise durch die Welt der Oper, Operette, des Musicals und der schönsten Weihnachtslieder.
Die Fledermaus
Performing as Adele
In German language with English surtitles
It is probably the most popular, but certainly the most Viennese of all operettas: Johann Strauss' immortal Fledermaus. Parties that get out of hand, erotic mix-ups, conspiracies, intrigues and a large portion of schadenfreude: the climax of the classical Viennese operetta era offers ambiguous entertainment in waltz rhythm. And if the social façade crumbles too much, you can still blame everything on the effect of champagne.
The Magic Flute
A thrilling adventure through Mozart, magic and mayhem.
Set out on a surprising journey through a surreal and spectacular world with a new staging of Mozart’s most inventive opera.
Filled with humour and heart, The Magic Flute follows Prince Tamino’s daring quest to rescue Pamina — and the perilous trials the young pair face as they find their way back to the light.
With fabulously fun sets and costumes inspired by the works of Jules Verne and HG Wells, this is a feast for the eyes and the ears, with some of Mozart’s most famous music, including the extraordinarily high notes of the Queen of the Night aria.
Sir Thomas Allen is a legend of the operatic stage who has been breathing life into Mozart’s operas for over half a century — first as a baritone and now as a director. His staging of The Magic Flute is full of whimsy, wit and wonder and has delighted audiences across the UK.
Winning five-star reviews, this staging was lauded as “one of the most entertaining and ingenious productions of Mozart’s final stage work” (The Times) and “the whole thing is a triumph” (The Herald).
Featuring a thrilling mix of international talent and a new generation of Australian stars, this fresh take on The Magic Flute is a wonderful night at the opera.
The Magic Flute
A thrilling adventure through Mozart, magic and mayhem.
Set out on a surprising journey through a surreal and spectacular world with a new staging of Mozart’s most inventive opera.
Filled with humour and heart, The Magic Flute follows Prince Tamino’s daring quest to rescue Pamina — and the perilous trials the young pair face as they find their way back to the light.
With fabulously fun sets and costumes inspired by the works of Jules Verne and HG Wells, this is a feast for the eyes and the ears, with some of Mozart’s most famous music, including the extraordinarily high notes of the Queen of the Night aria.
Sir Thomas Allen is a legend of the operatic stage who has been breathing life into Mozart’s operas for over half a century — first as a baritone and now as a director. His staging of The Magic Flute is full of whimsy, wit and wonder and has delighted audiences across the UK.
Winning five-star reviews, this staging was lauded as “one of the most entertaining and ingenious productions of Mozart’s final stage work” (The Times) and “the whole thing is a triumph” (The Herald).
Featuring a thrilling mix of international talent and a new generation of Australian stars, this fresh take on The Magic Flute is a wonderful night at the opera.
The Magic Flute
A thrilling adventure through Mozart, magic and mayhem.
Set out on a surprising journey through a surreal and spectacular world with a new staging of Mozart’s most inventive opera.
Filled with humour and heart, The Magic Flute follows Prince Tamino’s daring quest to rescue Pamina — and the perilous trials the young pair face as they find their way back to the light.
With fabulously fun sets and costumes inspired by the works of Jules Verne and HG Wells, this is a feast for the eyes and the ears, with some of Mozart’s most famous music, including the extraordinarily high notes of the Queen of the Night aria.
Sir Thomas Allen is a legend of the operatic stage who has been breathing life into Mozart’s operas for over half a century — first as a baritone and now as a director. His staging of The Magic Flute is full of whimsy, wit and wonder and has delighted audiences across the UK.
Winning five-star reviews, this staging was lauded as “one of the most entertaining and ingenious productions of Mozart’s final stage work” (The Times) and “the whole thing is a triumph” (The Herald).
Featuring a thrilling mix of international talent and a new generation of Australian stars, this fresh take on The Magic Flute is a wonderful night at the opera.
The Magic Flute
A thrilling adventure through Mozart, magic and mayhem.
Set out on a surprising journey through a surreal and spectacular world with a new staging of Mozart’s most inventive opera.
Filled with humour and heart, The Magic Flute follows Prince Tamino’s daring quest to rescue Pamina — and the perilous trials the young pair face as they find their way back to the light.
With fabulously fun sets and costumes inspired by the works of Jules Verne and HG Wells, this is a feast for the eyes and the ears, with some of Mozart’s most famous music, including the extraordinarily high notes of the Queen of the Night aria.
Sir Thomas Allen is a legend of the operatic stage who has been breathing life into Mozart’s operas for over half a century — first as a baritone and now as a director. His staging of The Magic Flute is full of whimsy, wit and wonder and has delighted audiences across the UK.
Winning five-star reviews, this staging was lauded as “one of the most entertaining and ingenious productions of Mozart’s final stage work” (The Times) and “the whole thing is a triumph” (The Herald).
Featuring a thrilling mix of international talent and a new generation of Australian stars, this fresh take on The Magic Flute is a wonderful night at the opera.
The Magic Flute
A thrilling adventure through Mozart, magic and mayhem.
Set out on a surprising journey through a surreal and spectacular world with a new staging of Mozart’s most inventive opera.
Filled with humour and heart, The Magic Flute follows Prince Tamino’s daring quest to rescue Pamina — and the perilous trials the young pair face as they find their way back to the light.
With fabulously fun sets and costumes inspired by the works of Jules Verne and HG Wells, this is a feast for the eyes and the ears, with some of Mozart’s most famous music, including the extraordinarily high notes of the Queen of the Night aria.
Sir Thomas Allen is a legend of the operatic stage who has been breathing life into Mozart’s operas for over half a century — first as a baritone and now as a director. His staging of The Magic Flute is full of whimsy, wit and wonder and has delighted audiences across the UK.
Winning five-star reviews, this staging was lauded as “one of the most entertaining and ingenious productions of Mozart’s final stage work” (The Times) and “the whole thing is a triumph” (The Herald).
Featuring a thrilling mix of international talent and a new generation of Australian stars, this fresh take on The Magic Flute is a wonderful night at the opera.
The Magic Flute
A thrilling adventure through Mozart, magic and mayhem.
Set out on a surprising journey through a surreal and spectacular world with a new staging of Mozart’s most inventive opera.
Filled with humour and heart, The Magic Flute follows Prince Tamino’s daring quest to rescue Pamina — and the perilous trials the young pair face as they find their way back to the light.
With fabulously fun sets and costumes inspired by the works of Jules Verne and HG Wells, this is a feast for the eyes and the ears, with some of Mozart’s most famous music, including the extraordinarily high notes of the Queen of the Night aria.
Sir Thomas Allen is a legend of the operatic stage who has been breathing life into Mozart’s operas for over half a century — first as a baritone and now as a director. His staging of The Magic Flute is full of whimsy, wit and wonder and has delighted audiences across the UK.
Winning five-star reviews, this staging was lauded as “one of the most entertaining and ingenious productions of Mozart’s final stage work” (The Times) and “the whole thing is a triumph” (The Herald).
Featuring a thrilling mix of international talent and a new generation of Australian stars, this fresh take on The Magic Flute is a wonderful night at the opera.
The Magic Flute
A thrilling adventure through Mozart, magic and mayhem.
Set out on a surprising journey through a surreal and spectacular world with a new staging of Mozart’s most inventive opera.
Filled with humour and heart, The Magic Flute follows Prince Tamino’s daring quest to rescue Pamina — and the perilous trials the young pair face as they find their way back to the light.
With fabulously fun sets and costumes inspired by the works of Jules Verne and HG Wells, this is a feast for the eyes and the ears, with some of Mozart’s most famous music, including the extraordinarily high notes of the Queen of the Night aria.
Sir Thomas Allen is a legend of the operatic stage who has been breathing life into Mozart’s operas for over half a century — first as a baritone and now as a director. His staging of The Magic Flute is full of whimsy, wit and wonder and has delighted audiences across the UK.
Winning five-star reviews, this staging was lauded as “one of the most entertaining and ingenious productions of Mozart’s final stage work” (The Times) and “the whole thing is a triumph” (The Herald).
Featuring a thrilling mix of international talent and a new generation of Australian stars, this fresh take on The Magic Flute is a wonderful night at the opera.
The Magic Flute
A thrilling adventure through Mozart, magic and mayhem.
Set out on a surprising journey through a surreal and spectacular world with a new staging of Mozart’s most inventive opera.
Filled with humour and heart, The Magic Flute follows Prince Tamino’s daring quest to rescue Pamina — and the perilous trials the young pair face as they find their way back to the light.
With fabulously fun sets and costumes inspired by the works of Jules Verne and HG Wells, this is a feast for the eyes and the ears, with some of Mozart’s most famous music, including the extraordinarily high notes of the Queen of the Night aria.
Sir Thomas Allen is a legend of the operatic stage who has been breathing life into Mozart’s operas for over half a century — first as a baritone and now as a director. His staging of The Magic Flute is full of whimsy, wit and wonder and has delighted audiences across the UK.
Winning five-star reviews, this staging was lauded as “one of the most entertaining and ingenious productions of Mozart’s final stage work” (The Times) and “the whole thing is a triumph” (The Herald).
Featuring a thrilling mix of international talent and a new generation of Australian stars, this fresh take on The Magic Flute is a wonderful night at the opera.
The Magic Flute
A thrilling adventure through Mozart, magic and mayhem.
Set out on a surprising journey through a surreal and spectacular world with a new staging of Mozart’s most inventive opera.
Filled with humour and heart, The Magic Flute follows Prince Tamino’s daring quest to rescue Pamina — and the perilous trials the young pair face as they find their way back to the light.
With fabulously fun sets and costumes inspired by the works of Jules Verne and HG Wells, this is a feast for the eyes and the ears, with some of Mozart’s most famous music, including the extraordinarily high notes of the Queen of the Night aria.
Sir Thomas Allen is a legend of the operatic stage who has been breathing life into Mozart’s operas for over half a century — first as a baritone and now as a director. His staging of The Magic Flute is full of whimsy, wit and wonder and has delighted audiences across the UK.
Winning five-star reviews, this staging was lauded as “one of the most entertaining and ingenious productions of Mozart’s final stage work” (The Times) and “the whole thing is a triumph” (The Herald).
Featuring a thrilling mix of international talent and a new generation of Australian stars, this fresh take on The Magic Flute is a wonderful night at the opera.
The Magic Flute
A thrilling adventure through Mozart, magic and mayhem.
Set out on a surprising journey through a surreal and spectacular world with a new staging of Mozart’s most inventive opera.
Filled with humour and heart, The Magic Flute follows Prince Tamino’s daring quest to rescue Pamina — and the perilous trials the young pair face as they find their way back to the light.
With fabulously fun sets and costumes inspired by the works of Jules Verne and HG Wells, this is a feast for the eyes and the ears, with some of Mozart’s most famous music, including the extraordinarily high notes of the Queen of the Night aria.
Sir Thomas Allen is a legend of the operatic stage who has been breathing life into Mozart’s operas for over half a century — first as a baritone and now as a director. His staging of The Magic Flute is full of whimsy, wit and wonder and has delighted audiences across the UK.
Winning five-star reviews, this staging was lauded as “one of the most entertaining and ingenious productions of Mozart’s final stage work” (The Times) and “the whole thing is a triumph” (The Herald).
Featuring a thrilling mix of international talent and a new generation of Australian stars, this fresh take on The Magic Flute is a wonderful night at the opera.
The Magic Flute
A thrilling adventure through Mozart, magic and mayhem.
Set out on a surprising journey through a surreal and spectacular world with a new staging of Mozart’s most inventive opera.
Filled with humour and heart, The Magic Flute follows Prince Tamino’s daring quest to rescue Pamina — and the perilous trials the young pair face as they find their way back to the light.
With fabulously fun sets and costumes inspired by the works of Jules Verne and HG Wells, this is a feast for the eyes and the ears, with some of Mozart’s most famous music, including the extraordinarily high notes of the Queen of the Night aria.
Sir Thomas Allen is a legend of the operatic stage who has been breathing life into Mozart’s operas for over half a century — first as a baritone and now as a director. His staging of The Magic Flute is full of whimsy, wit and wonder and has delighted audiences across the UK.
Winning five-star reviews, this staging was lauded as “one of the most entertaining and ingenious productions of Mozart’s final stage work” (The Times) and “the whole thing is a triumph” (The Herald).
Featuring a thrilling mix of international talent and a new generation of Australian stars, this fresh take on The Magic Flute is a wonderful night at the opera.
The Magic Flute
A thrilling adventure through Mozart, magic and mayhem.
Set out on a surprising journey through a surreal and spectacular world with a new staging of Mozart’s most inventive opera.
Filled with humour and heart, The Magic Flute follows Prince Tamino’s daring quest to rescue Pamina — and the perilous trials the young pair face as they find their way back to the light.
With fabulously fun sets and costumes inspired by the works of Jules Verne and HG Wells, this is a feast for the eyes and the ears, with some of Mozart’s most famous music, including the extraordinarily high notes of the Queen of the Night aria.
Sir Thomas Allen is a legend of the operatic stage who has been breathing life into Mozart’s operas for over half a century — first as a baritone and now as a director. His staging of The Magic Flute is full of whimsy, wit and wonder and has delighted audiences across the UK.
Winning five-star reviews, this staging was lauded as “one of the most entertaining and ingenious productions of Mozart’s final stage work” (The Times) and “the whole thing is a triumph” (The Herald).
Featuring a thrilling mix of international talent and a new generation of Australian stars, this fresh take on The Magic Flute is a wonderful night at the opera.
The Magic Flute
A thrilling adventure through Mozart, magic and mayhem.
Set out on a surprising journey through a surreal and spectacular world with a new staging of Mozart’s most inventive opera.
Filled with humour and heart, The Magic Flute follows Prince Tamino’s daring quest to rescue Pamina — and the perilous trials the young pair face as they find their way back to the light.
With fabulously fun sets and costumes inspired by the works of Jules Verne and HG Wells, this is a feast for the eyes and the ears, with some of Mozart’s most famous music, including the extraordinarily high notes of the Queen of the Night aria.
Sir Thomas Allen is a legend of the operatic stage who has been breathing life into Mozart’s operas for over half a century — first as a baritone and now as a director. His staging of The Magic Flute is full of whimsy, wit and wonder and has delighted audiences across the UK.
Winning five-star reviews, this staging was lauded as “one of the most entertaining and ingenious productions of Mozart’s final stage work” (The Times) and “the whole thing is a triumph” (The Herald).
Featuring a thrilling mix of international talent and a new generation of Australian stars, this fresh take on The Magic Flute is a wonderful night at the opera.
The Magic Flute
A thrilling adventure through Mozart, magic and mayhem.
Set out on a surprising journey through a surreal and spectacular world with a new staging of Mozart’s most inventive opera.
Filled with humour and heart, The Magic Flute follows Prince Tamino’s daring quest to rescue Pamina — and the perilous trials the young pair face as they find their way back to the light.
With fabulously fun sets and costumes inspired by the works of Jules Verne and HG Wells, this is a feast for the eyes and the ears, with some of Mozart’s most famous music, including the extraordinarily high notes of the Queen of the Night aria.
Sir Thomas Allen is a legend of the operatic stage who has been breathing life into Mozart’s operas for over half a century — first as a baritone and now as a director. His staging of The Magic Flute is full of whimsy, wit and wonder and has delighted audiences across the UK.
Winning five-star reviews, this staging was lauded as “one of the most entertaining and ingenious productions of Mozart’s final stage work” (The Times) and “the whole thing is a triumph” (The Herald).
Featuring a thrilling mix of international talent and a new generation of Australian stars, this fresh take on The Magic Flute is a wonderful night at the opera.
The Magic Flute
A thrilling adventure through Mozart, magic and mayhem.
Set out on a surprising journey through a surreal and spectacular world with a new staging of Mozart’s most inventive opera.
Filled with humour and heart, The Magic Flute follows Prince Tamino’s daring quest to rescue Pamina — and the perilous trials the young pair face as they find their way back to the light.
With fabulously fun sets and costumes inspired by the works of Jules Verne and HG Wells, this is a feast for the eyes and the ears, with some of Mozart’s most famous music, including the extraordinarily high notes of the Queen of the Night aria.
Sir Thomas Allen is a legend of the operatic stage who has been breathing life into Mozart’s operas for over half a century — first as a baritone and now as a director. His staging of The Magic Flute is full of whimsy, wit and wonder and has delighted audiences across the UK.
Winning five-star reviews, this staging was lauded as “one of the most entertaining and ingenious productions of Mozart’s final stage work” (The Times) and “the whole thing is a triumph” (The Herald).
Featuring a thrilling mix of international talent and a new generation of Australian stars, this fresh take on The Magic Flute is a wonderful night at the opera.
The Magic Flute
A thrilling adventure through Mozart, magic and mayhem.
Set out on a surprising journey through a surreal and spectacular world with a new staging of Mozart’s most inventive opera.
Filled with humour and heart, The Magic Flute follows Prince Tamino’s daring quest to rescue Pamina — and the perilous trials the young pair face as they find their way back to the light.
With fabulously fun sets and costumes inspired by the works of Jules Verne and HG Wells, this is a feast for the eyes and the ears, with some of Mozart’s most famous music, including the extraordinarily high notes of the Queen of the Night aria.
Sir Thomas Allen is a legend of the operatic stage who has been breathing life into Mozart’s operas for over half a century — first as a baritone and now as a director. His staging of The Magic Flute is full of whimsy, wit and wonder and has delighted audiences across the UK.
Winning five-star reviews, this staging was lauded as “one of the most entertaining and ingenious productions of Mozart’s final stage work” (The Times) and “the whole thing is a triumph” (The Herald).
Featuring a thrilling mix of international talent and a new generation of Australian stars, this fresh take on The Magic Flute is a wonderful night at the opera.
The Magic Flute
A thrilling adventure through Mozart, magic and mayhem.
Set out on a surprising journey through a surreal and spectacular world with a new staging of Mozart’s most inventive opera.
Filled with humour and heart, The Magic Flute follows Prince Tamino’s daring quest to rescue Pamina — and the perilous trials the young pair face as they find their way back to the light.
With fabulously fun sets and costumes inspired by the works of Jules Verne and HG Wells, this is a feast for the eyes and the ears, with some of Mozart’s most famous music, including the extraordinarily high notes of the Queen of the Night aria.
Sir Thomas Allen is a legend of the operatic stage who has been breathing life into Mozart’s operas for over half a century — first as a baritone and now as a director. His staging of The Magic Flute is full of whimsy, wit and wonder and has delighted audiences across the UK.
Winning five-star reviews, this staging was lauded as “one of the most entertaining and ingenious productions of Mozart’s final stage work” (The Times) and “the whole thing is a triumph” (The Herald).
Featuring a thrilling mix of international talent and a new generation of Australian stars, this fresh take on The Magic Flute is a wonderful night at the opera.
The Magic Flute
A thrilling adventure through Mozart, magic and mayhem.
Set out on a surprising journey through a surreal and spectacular world with a new staging of Mozart’s most inventive opera.
Filled with humour and heart, The Magic Flute follows Prince Tamino’s daring quest to rescue Pamina — and the perilous trials the young pair face as they find their way back to the light.
With fabulously fun sets and costumes inspired by the works of Jules Verne and HG Wells, this is a feast for the eyes and the ears, with some of Mozart’s most famous music, including the extraordinarily high notes of the Queen of the Night aria.
Sir Thomas Allen is a legend of the operatic stage who has been breathing life into Mozart’s operas for over half a century — first as a baritone and now as a director. His staging of The Magic Flute is full of whimsy, wit and wonder and has delighted audiences across the UK.
Winning five-star reviews, this staging was lauded as “one of the most entertaining and ingenious productions of Mozart’s final stage work” (The Times) and “the whole thing is a triumph” (The Herald).
Featuring a thrilling mix of international talent and a new generation of Australian stars, this fresh take on The Magic Flute is a wonderful night at the opera.
Hugo Wolf Competition Round 1
The International Art Song Competition Stuttgart, which will be held for the 15th time in Stuttgart in 2026, is one of the largest and most renowned competitions for Lied duos in the world.
The competition will be streamed live online and offers all young singers and pianists born after 31 December 1992 a platform to explore this particularly beautiful and challenging art form and present it to a large international audience.
The 1st round is open to members of the Internationale Hugo-Wolf-Akademie. Admission is free. Registration is requested: info@ihwa.de.
Die Zauberflöte
Performing as Pamina
In German language with German and English surtitles
The story of The Magic Flute begins like an adventure: a prince rescues a princess from a dark ruler, accompanied by a birdcatcher and magical devices. But the boundaries between good and evil, light and dark become blurred and the characters are far more complex.
Die Zauberflöte
Performing as Pamina
In German language with German and English surtitles
The story of The Magic Flute begins like an adventure: a prince rescues a princess from a dark ruler, accompanied by a birdcatcher and magical devices. But the boundaries between good and evil, light and dark become blurred and the characters are far more complex.
West Side Story
Performing as Maria
In German and English language with German and English surtitles
Based on a Conception of Jerome Robbins
Book by Arthur Laurents
Music by Leonard Bernstein
Lyrics by Stephen Sondheim
German translation of the dialogs by Marcel Prawy
Rigoletto
Performing as Gilda
A father’s curse, a daughter’s fate. As innocence is shattered, revenge becomes the only prayer.
Elijah Moshinsky’s much-loved production of Rigoletto returns to the Sydney Opera House stage, complete with its glamorous La Dolce Vita-inspired sets and costumes and scene-stealing Fiat 500. The revolving dolls-house style set gives cinematic detail to each scene.
Rigoletto
Performing as Gilda
A father’s curse, a daughter’s fate. As innocence is shattered, revenge becomes the only prayer.
Elijah Moshinsky’s much-loved production of Rigoletto returns to the Sydney Opera House stage, complete with its glamorous La Dolce Vita-inspired sets and costumes and scene-stealing Fiat 500. The revolving dolls-house style set gives cinematic detail to each scene.
Rigoletto
Performing as Gilda
A father’s curse, a daughter’s fate. As innocence is shattered, revenge becomes the only prayer.
Elijah Moshinsky’s much-loved production of Rigoletto returns to the Sydney Opera House stage, complete with its glamorous La Dolce Vita-inspired sets and costumes and scene-stealing Fiat 500. The revolving dolls-house style set gives cinematic detail to each scene.
Rigoletto
Performing as Gilda
A father’s curse, a daughter’s fate. As innocence is shattered, revenge becomes the only prayer.
Elijah Moshinsky’s much-loved production of Rigoletto returns to the Sydney Opera House stage, complete with its glamorous La Dolce Vita-inspired sets and costumes and scene-stealing Fiat 500. The revolving dolls-house style set gives cinematic detail to each scene.
Rigoletto
Performing as Gilda
A father’s curse, a daughter’s fate. As innocence is shattered, revenge becomes the only prayer.
Elijah Moshinsky’s much-loved production of Rigoletto returns to the Sydney Opera House stage, complete with its glamorous La Dolce Vita-inspired sets and costumes and scene-stealing Fiat 500. The revolving dolls-house style set gives cinematic detail to each scene.
Rigoletto
Performing as Gilda
A father’s curse, a daughter’s fate. As innocence is shattered, revenge becomes the only prayer.
Elijah Moshinsky’s much-loved production of Rigoletto returns to the Sydney Opera House stage, complete with its glamorous La Dolce Vita-inspired sets and costumes and scene-stealing Fiat 500. The revolving dolls-house style set gives cinematic detail to each scene.
Rigoletto
Performing as Gilda
A father’s curse, a daughter’s fate. As innocence is shattered, revenge becomes the only prayer.
Elijah Moshinsky’s much-loved production of Rigoletto returns to the Sydney Opera House stage, complete with its glamorous La Dolce Vita-inspired sets and costumes and scene-stealing Fiat 500. The revolving dolls-house style set gives cinematic detail to each scene.
Rigoletto
Performing as Gilda
A father’s curse, a daughter’s fate. As innocence is shattered, revenge becomes the only prayer.
Elijah Moshinsky’s much-loved production of Rigoletto returns to the Sydney Opera House stage, complete with its glamorous La Dolce Vita-inspired sets and costumes and scene-stealing Fiat 500. The revolving dolls-house style set gives cinematic detail to each scene.
Rigoletto
Performing as Gilda
A father’s curse, a daughter’s fate. As innocence is shattered, revenge becomes the only prayer.
Elijah Moshinsky’s much-loved production of Rigoletto returns to the Sydney Opera House stage, complete with its glamorous La Dolce Vita-inspired sets and costumes and scene-stealing Fiat 500. The revolving dolls-house style set gives cinematic detail to each scene.
Rigoletto
Performing as Gilda
A father’s curse, a daughter’s fate. As innocence is shattered, revenge becomes the only prayer.
Elijah Moshinsky’s much-loved production of Rigoletto returns to the Sydney Opera House stage, complete with its glamorous La Dolce Vita-inspired sets and costumes and scene-stealing Fiat 500. The revolving dolls-house style set gives cinematic detail to each scene.
Rigoletto
Performing as Gilda
A father’s curse, a daughter’s fate. As innocence is shattered, revenge becomes the only prayer.
Elijah Moshinsky’s much-loved production of Rigoletto returns to the Sydney Opera House stage, complete with its glamorous La Dolce Vita-inspired sets and costumes and scene-stealing Fiat 500. The revolving dolls-house style set gives cinematic detail to each scene.
Rigoletto
Performing as Gilda
A father’s curse, a daughter’s fate. As innocence is shattered, revenge becomes the only prayer.
Elijah Moshinsky’s much-loved production of Rigoletto returns to the Sydney Opera House stage, complete with its glamorous La Dolce Vita-inspired sets and costumes and scene-stealing Fiat 500. The revolving dolls-house style set gives cinematic detail to each scene.
West Side Story
Performing as Maria
In German and English language with German and English surtitles
Based on a Conception of Jerome Robbins
Book by Arthur Laurents
Music by Leonard Bernstein
Lyrics by Stephen Sondheim
German translation of the dialogs by Marcel Prawy
West Side Story
Performing as Maria
In German and English language with German and English surtitles
Based on a Conception of Jerome Robbins
Book by Arthur Laurents
Music by Leonard Bernstein
Lyrics by Stephen Sondheim
German translation of the dialogs by Marcel Prawy
West Side Story
Performing as Maria
In German and English language with German and English surtitles
Based on a Conception of Jerome Robbins
Book by Arthur Laurents
Music by Leonard Bernstein
Lyrics by Stephen Sondheim
German translation of the dialogs by Marcel Prawy
West Side Story
Performing as Maria
In German and English language with German and English surtitles
Based on a Conception of Jerome Robbins
Book by Arthur Laurents
Music by Leonard Bernstein
Lyrics by Stephen Sondheim
German translation of the dialogs by Marcel Prawy
Spring Awakening
Performing as Wendla
In German and English language with German and English surtitles
Spring Awakening is a powerful rock musical about growing up, generational conflict, and the turmoil of awakening sexuality. Winner of eight Tony Awards, including Best Musical, and a Grammy, it redefined Broadway’s themes. Based on Frank Wedekind’s 1891 play Frühlings Erwachen, it criticizes social morality while exploring sexuality and repression. Wendla, Melchior, and Moritz face strict parents and teachers as well as unanswered questions about love and desire, with devastating results.
Spring Awakening
Performing as Wendla
In German and English language with German and English surtitles
Spring Awakening is a powerful rock musical about growing up, generational conflict, and the turmoil of awakening sexuality. Winner of eight Tony Awards, including Best Musical, and a Grammy, it redefined Broadway’s themes. Based on Frank Wedekind’s 1891 play Frühlings Erwachen, it criticizes social morality while exploring sexuality and repression. Wendla, Melchior, and Moritz face strict parents and teachers as well as unanswered questions about love and desire, with devastating results.
Spring Awakening
Performing as Wendla
In German and English language with German and English surtitles
Spring Awakening is a powerful rock musical about growing up, generational conflict, and the turmoil of awakening sexuality. Winner of eight Tony Awards, including Best Musical, and a Grammy, it redefined Broadway’s themes. Based on Frank Wedekind’s 1891 play Frühlings Erwachen, it criticizes social morality while exploring sexuality and repression. Wendla, Melchior, and Moritz face strict parents and teachers as well as unanswered questions about love and desire, with devastating results.
Spring Awakening
Performing as Wendla
In German and English language with German and English surtitles
Spring Awakening is a powerful rock musical about growing up, generational conflict, and the turmoil of awakening sexuality. Winner of eight Tony Awards, including Best Musical, and a Grammy, it redefined Broadway’s themes. Based on Frank Wedekind’s 1891 play Frühlings Erwachen, it criticizes social morality while exploring sexuality and repression. Wendla, Melchior, and Moritz face strict parents and teachers as well as unanswered questions about love and desire, with devastating results.
Die Zauberflöte
Performing as Pamina
In German language with German and English surtitles
The story of The Magic Flute begins like an adventure: a prince rescues a princess from a dark ruler, accompanied by a birdcatcher and magical devices. But the boundaries between good and evil, light and dark become blurred and the characters are far more complex.
Die Fledermaus
Performing as Adele
In German language with English surtitles
It is probably the most popular, but certainly the most Viennese of all operettas: Johann Strauss' immortal Fledermaus. Parties that get out of hand, erotic mix-ups, conspiracies, intrigues and a large portion of schadenfreude: the climax of the classical Viennese operetta era offers ambiguous entertainment in waltz rhythm. And if the social façade crumbles too much, you can still blame everything on the effect of champagne.
Die Fledermaus
Performing as Adele
In German language with English surtitles
It is probably the most popular, but certainly the most Viennese of all operettas: Johann Strauss' immortal Fledermaus. Parties that get out of hand, erotic mix-ups, conspiracies, intrigues and a large portion of schadenfreude: the climax of the classical Viennese operetta era offers ambiguous entertainment in waltz rhythm. And if the social façade crumbles too much, you can still blame everything on the effect of champagne.
Die Zauberflöte
Performing as Pamina
In German language with German and English surtitles
The story of The Magic Flute begins like an adventure: a prince rescues a princess from a dark ruler, accompanied by a birdcatcher and magical devices. But the boundaries between good and evil, light and dark become blurred and the characters are far more complex.
Die Zauberflöte
Performing as Pamina
In German language with German and English surtitles
The story of The Magic Flute begins like an adventure: a prince rescues a princess from a dark ruler, accompanied by a birdcatcher and magical devices. But the boundaries between good and evil, light and dark become blurred and the characters are far more complex.
Die Zauberflöte
Performing as Pamina
In German language with German and English surtitles
The story of The Magic Flute begins like an adventure: a prince rescues a princess from a dark ruler, accompanied by a birdcatcher and magical devices. But the boundaries between good and evil, light and dark become blurred and the characters are far more complex.