upcoming performances
West Side Story
Performing as Maria
In German and English language with German and English surtitles
Based on a Conception of Jerome Robbins
Book by Arthur Laurents
Music by Leonard Bernstein
Lyrics by Stephen Sondheim
German translation of the dialogs by Marcel Prawy
West Side Story
Sold out
Performing as Maria
In German and English language with German and English surtitles
Based on a Conception of Jerome Robbins
Book by Arthur Laurents
Music by Leonard Bernstein
Lyrics by Stephen Sondheim
German translation of the dialogs by Marcel Prawy
West Side Story
Sold out
Performing as Maria
In German and English language with German and English surtitles
Based on a Conception of Jerome Robbins
Book by Arthur Laurents
Music by Leonard Bernstein
Lyrics by Stephen Sondheim
German translation of the dialogs by Marcel Prawy
Die Fledermaus
Sold out
Performing as Adele
In German language with English surtitles
It is probably the most popular, but certainly the most Viennese of all operettas: Johann Strauss' immortal Fledermaus. Parties that get out of hand, erotic mix-ups, conspiracies, intrigues and a large portion of schadenfreude: the climax of the classical Viennese operetta era offers ambiguous entertainment in waltz rhythm. And if the social façade crumbles too much, you can still blame everything on the effect of champagne.
Die Fledermaus
Sold out
Performing as Adele
In German language with English surtitles
It is probably the most popular, but certainly the most Viennese of all operettas: Johann Strauss' immortal Fledermaus. Parties that get out of hand, erotic mix-ups, conspiracies, intrigues and a large portion of schadenfreude: the climax of the classical Viennese operetta era offers ambiguous entertainment in waltz rhythm. And if the social façade crumbles too much, you can still blame everything on the effect of champagne.
Die Zauberflöte
Performing as Pamina
In German language with German and English surtitles
The story of The Magic Flute begins like an adventure: a prince rescues a princess from a dark ruler, accompanied by a birdcatcher and magical devices. But the boundaries between good and evil, light and dark become blurred and the characters are far more complex.
Die Zauberflöte
Performing as Pamina
In German language with German and English surtitles
The story of The Magic Flute begins like an adventure: a prince rescues a princess from a dark ruler, accompanied by a birdcatcher and magical devices. But the boundaries between good and evil, light and dark become blurred and the characters are far more complex.
Die Zauberflöte
Performing as Pamina
In German language with German and English surtitles
The story of The Magic Flute begins like an adventure: a prince rescues a princess from a dark ruler, accompanied by a birdcatcher and magical devices. But the boundaries between good and evil, light and dark become blurred and the characters are far more complex.
Die Zauberflöte
Performing as Pamina
In German language with German and English surtitles
The story of The Magic Flute begins like an adventure: a prince rescues a princess from a dark ruler, accompanied by a birdcatcher and magical devices. But the boundaries between good and evil, light and dark become blurred and the characters are far more complex.
West Side Story
Performing as Maria
In German and English language with German and English surtitles
Based on a Conception of Jerome Robbins
Book by Arthur Laurents
Music by Leonard Bernstein
Lyrics by Stephen Sondheim
German translation of the dialogs by Marcel Prawy
Die Fledermaus
Performing as Adele
In German language with English surtitles
It is probably the most popular, but certainly the most Viennese of all operettas: Johann Strauss' immortal Fledermaus. Parties that get out of hand, erotic mix-ups, conspiracies, intrigues and a large portion of schadenfreude: the climax of the classical Viennese operetta era offers ambiguous entertainment in waltz rhythm. And if the social façade crumbles too much, you can still blame everything on the effect of champagne.
Die Fledermaus
Performing as Adele
In German language with English surtitles
It is probably the most popular, but certainly the most Viennese of all operettas: Johann Strauss' immortal Fledermaus. Parties that get out of hand, erotic mix-ups, conspiracies, intrigues and a large portion of schadenfreude: the climax of the classical Viennese operetta era offers ambiguous entertainment in waltz rhythm. And if the social façade crumbles too much, you can still blame everything on the effect of champagne.
Spring Awakening
Performing as Wendla
In German and English language with German and English surtitles
Spring Awakening is a powerful rock musical about growing up, generational conflict, and the turmoil of awakening sexuality. Winner of eight Tony Awards, including Best Musical, and a Grammy, it redefined Broadway’s themes. Based on Frank Wedekind’s 1891 play Frühlings Erwachen, it criticizes social morality while exploring sexuality and repression. Wendla, Melchior, and Moritz face strict parents and teachers as well as unanswered questions about love and desire, with devastating results.
Spring Awakening
Performing as Wendla
In German and English language with German and English surtitles
Spring Awakening is a powerful rock musical about growing up, generational conflict, and the turmoil of awakening sexuality. Winner of eight Tony Awards, including Best Musical, and a Grammy, it redefined Broadway’s themes. Based on Frank Wedekind’s 1891 play Frühlings Erwachen, it criticizes social morality while exploring sexuality and repression. Wendla, Melchior, and Moritz face strict parents and teachers as well as unanswered questions about love and desire, with devastating results.
Le nozze di Figaro
Performing as Susanna
In Italian language with German and English surtitles
Figaro, the Count’s servant, has become engaged to Susanna, the Countess’s maid. The Count is stalking Susanna. Figaro hatches a plan to put the count in his place. After a “mad day” of disguises, misunderstandings and other comical complications, Figaro gets his Susanna and the Count has no choice but to apologize to the Countess.
Spring Awakening
Performing as Wendla
In German and English language with German and English surtitles
Spring Awakening is a powerful rock musical about growing up, generational conflict, and the turmoil of awakening sexuality. Winner of eight Tony Awards, including Best Musical, and a Grammy, it redefined Broadway’s themes. Based on Frank Wedekind’s 1891 play Frühlings Erwachen, it criticizes social morality while exploring sexuality and repression. Wendla, Melchior, and Moritz face strict parents and teachers as well as unanswered questions about love and desire, with devastating results.
Le nozze di Figaro
Performing as Susanna
In Italian language with German and English surtitles
Figaro, the Count’s servant, has become engaged to Susanna, the Countess’s maid. The Count is stalking Susanna. Figaro hatches a plan to put the count in his place. After a “mad day” of disguises, misunderstandings and other comical complications, Figaro gets his Susanna and the Count has no choice but to apologize to the Countess.
Spring Awakening
Performing as Wendla
In German and English language with German and English surtitles
Spring Awakening is a powerful rock musical about growing up, generational conflict, and the turmoil of awakening sexuality. Winner of eight Tony Awards, including Best Musical, and a Grammy, it redefined Broadway’s themes. Based on Frank Wedekind’s 1891 play Frühlings Erwachen, it criticizes social morality while exploring sexuality and repression. Wendla, Melchior, and Moritz face strict parents and teachers as well as unanswered questions about love and desire, with devastating results.
West Side Story
Performing as Maria
In German and English language with German and English surtitles
Based on a Conception of Jerome Robbins
Book by Arthur Laurents
Music by Leonard Bernstein
Lyrics by Stephen Sondheim
German translation of the dialogs by Marcel Prawy
West Side Story
Performing as Maria
In German and English language with German and English surtitles
Based on a Conception of Jerome Robbins
Book by Arthur Laurents
Music by Leonard Bernstein
Lyrics by Stephen Sondheim
German translation of the dialogs by Marcel Prawy
West Side Story
Performing as Maria
In German and English language with German and English surtitles
Based on a Conception of Jerome Robbins
Book by Arthur Laurents
Music by Leonard Bernstein
Lyrics by Stephen Sondheim
German translation of the dialogs by Marcel Prawy
West Side Story
Performing as Maria
In German and English language with German and English surtitles
Based on a Conception of Jerome Robbins
Book by Arthur Laurents
Music by Leonard Bernstein
Lyrics by Stephen Sondheim
German translation of the dialogs by Marcel Prawy
Rigoletto
Performing as Gilda
A father’s curse, a daughter’s fate. As innocence is shattered, revenge becomes the only prayer.
Elijah Moshinsky’s much-loved production of Rigoletto returns to the Sydney Opera House stage, complete with its glamorous La Dolce Vita-inspired sets and costumes and scene-stealing Fiat 500. The revolving dolls-house style set gives cinematic detail to each scene.
Rigoletto
Performing as Gilda
A father’s curse, a daughter’s fate. As innocence is shattered, revenge becomes the only prayer.
Elijah Moshinsky’s much-loved production of Rigoletto returns to the Sydney Opera House stage, complete with its glamorous La Dolce Vita-inspired sets and costumes and scene-stealing Fiat 500. The revolving dolls-house style set gives cinematic detail to each scene.
Rigoletto
Performing as Gilda
A father’s curse, a daughter’s fate. As innocence is shattered, revenge becomes the only prayer.
Elijah Moshinsky’s much-loved production of Rigoletto returns to the Sydney Opera House stage, complete with its glamorous La Dolce Vita-inspired sets and costumes and scene-stealing Fiat 500. The revolving dolls-house style set gives cinematic detail to each scene.
Rigoletto
Performing as Gilda
A father’s curse, a daughter’s fate. As innocence is shattered, revenge becomes the only prayer.
Elijah Moshinsky’s much-loved production of Rigoletto returns to the Sydney Opera House stage, complete with its glamorous La Dolce Vita-inspired sets and costumes and scene-stealing Fiat 500. The revolving dolls-house style set gives cinematic detail to each scene.
Rigoletto
Performing as Gilda
A father’s curse, a daughter’s fate. As innocence is shattered, revenge becomes the only prayer.
Elijah Moshinsky’s much-loved production of Rigoletto returns to the Sydney Opera House stage, complete with its glamorous La Dolce Vita-inspired sets and costumes and scene-stealing Fiat 500. The revolving dolls-house style set gives cinematic detail to each scene.
Rigoletto
Performing as Gilda
A father’s curse, a daughter’s fate. As innocence is shattered, revenge becomes the only prayer.
Elijah Moshinsky’s much-loved production of Rigoletto returns to the Sydney Opera House stage, complete with its glamorous La Dolce Vita-inspired sets and costumes and scene-stealing Fiat 500. The revolving dolls-house style set gives cinematic detail to each scene.
Rigoletto
Performing as Gilda
A father’s curse, a daughter’s fate. As innocence is shattered, revenge becomes the only prayer.
Elijah Moshinsky’s much-loved production of Rigoletto returns to the Sydney Opera House stage, complete with its glamorous La Dolce Vita-inspired sets and costumes and scene-stealing Fiat 500. The revolving dolls-house style set gives cinematic detail to each scene.
Rigoletto
Performing as Gilda
A father’s curse, a daughter’s fate. As innocence is shattered, revenge becomes the only prayer.
Elijah Moshinsky’s much-loved production of Rigoletto returns to the Sydney Opera House stage, complete with its glamorous La Dolce Vita-inspired sets and costumes and scene-stealing Fiat 500. The revolving dolls-house style set gives cinematic detail to each scene.
Rigoletto
Performing as Gilda
A father’s curse, a daughter’s fate. As innocence is shattered, revenge becomes the only prayer.
Elijah Moshinsky’s much-loved production of Rigoletto returns to the Sydney Opera House stage, complete with its glamorous La Dolce Vita-inspired sets and costumes and scene-stealing Fiat 500. The revolving dolls-house style set gives cinematic detail to each scene.
Rigoletto
Performing as Gilda
A father’s curse, a daughter’s fate. As innocence is shattered, revenge becomes the only prayer.
Elijah Moshinsky’s much-loved production of Rigoletto returns to the Sydney Opera House stage, complete with its glamorous La Dolce Vita-inspired sets and costumes and scene-stealing Fiat 500. The revolving dolls-house style set gives cinematic detail to each scene.
Rigoletto
Performing as Gilda
A father’s curse, a daughter’s fate. As innocence is shattered, revenge becomes the only prayer.
Elijah Moshinsky’s much-loved production of Rigoletto returns to the Sydney Opera House stage, complete with its glamorous La Dolce Vita-inspired sets and costumes and scene-stealing Fiat 500. The revolving dolls-house style set gives cinematic detail to each scene.
Rigoletto
Performing as Gilda
A father’s curse, a daughter’s fate. As innocence is shattered, revenge becomes the only prayer.
Elijah Moshinsky’s much-loved production of Rigoletto returns to the Sydney Opera House stage, complete with its glamorous La Dolce Vita-inspired sets and costumes and scene-stealing Fiat 500. The revolving dolls-house style set gives cinematic detail to each scene.
West Side Story
Performing as Maria
In German and English language with German and English surtitles
Based on a Conception of Jerome Robbins
Book by Arthur Laurents
Music by Leonard Bernstein
Lyrics by Stephen Sondheim
German translation of the dialogs by Marcel Prawy
Dialogues des Carmélites
Set amid the turmoil of the French Revolution, Dialogues of the Carmelites tells the haunting story of Blanche de la Force, a young woman torn by fear and faith. Seeking refuge in a Carmelite convent, she finds unexpected courage through the unwavering devotion of her fellow nuns. In a powerful act of faith and solidarity, the nuns face martyrdom together, singing to their final breaths. Poulenc’s emotionally charged opera is a profound testament to conviction, sacrifice, and the resilience of the human spirit.
Dialogues des Carmélites
Set amid the turmoil of the French Revolution, Dialogues of the Carmelites tells the haunting story of Blanche de la Force, a young woman torn by fear and faith. Seeking refuge in a Carmelite convent, she finds unexpected courage through the unwavering devotion of her fellow nuns. In a powerful act of faith and solidarity, the nuns face martyrdom together, singing to their final breaths. Poulenc’s emotionally charged opera is a profound testament to conviction, sacrifice, and the resilience of the human spirit.
Dialogues des Carmélites
Set amid the turmoil of the French Revolution, Dialogues of the Carmelites tells the haunting story of Blanche de la Force, a young woman torn by fear and faith. Seeking refuge in a Carmelite convent, she finds unexpected courage through the unwavering devotion of her fellow nuns. In a powerful act of faith and solidarity, the nuns face martyrdom together, singing to their final breaths. Poulenc’s emotionally charged opera is a profound testament to conviction, sacrifice, and the resilience of the human spirit.
Dialogues des Carmélites
Set amid the turmoil of the French Revolution, Dialogues of the Carmelites tells the haunting story of Blanche de la Force, a young woman torn by fear and faith. Seeking refuge in a Carmelite convent, she finds unexpected courage through the unwavering devotion of her fellow nuns. In a powerful act of faith and solidarity, the nuns face martyrdom together, singing to their final breaths. Poulenc’s emotionally charged opera is a profound testament to conviction, sacrifice, and the resilience of the human spirit.
Aria Jukebox
No really, the AUDIENCE chooses! Vote for your favorite arias sung by your favorite Filene Artists. Don’t miss this high-energy afternoon, which is perfect for opera newbies and experts alike.
J.S. Bach’s Stabat Mater
The annual OSL Bach Festival opens with a program of pairings: Bach and Vivaldi, soprano and countertenor, assembled by Lionel Meunier. The Vox Luminus artistic director leads Bach’s Psalm 51: “Tilge, Höchster, meine Sünden,” based on Pergolesi’s Stabat Mater, and sacred music by Vivaldi, with soprano Gemma Nha and countertenor Reginald Mobley.
Cincinnati Song Initiative Renee Fleming Masterclass
Join four singer-pianist duos as they work with the unparalleled soprano and arts leader Renée Fleming. Get an exclusive inside look into the perfection of not only song performances, but the collaborative process of interpretation between singers and pianists.
Lotte Lenya Competition Finals 2025
THIS SATURDAY! A one-of-a-kind theatrical singing contest, the 2025 Lenya Competition Finals brings together eleven phenomenal artists representing seven countries and four continents, each vying for the top prize of $25,000.
Michele Wong DMA Recital
I will be performing with my frequent collaborator Michele Wong for her second Juilliard DMA recital. We will be performing the Three Petrarch Songs by Franz Liszt.
German Lieder and Arias
A concert of German Lieder and arias featuring composers Franz Schubert, Richard Strauss, Alban Berg, Carl Maria von Weber and Johann Strauss II.
In collaboration with Hahnsol Music Group, Butterfly Ensemble and pianist Jarod Yap.
