“1위 결정 후 심사위원들은 “발성과 가사의 발음, 해석이 완벽하고 자신의 드라마를 만들어낼 줄 아는 가수다. 바로 세계 주요 오페라 무대에 서도 환영받을 재목”이라고 입을 모았다.” “After deciding on first place, the judges said, “This singer has perfect vocalization, pronunciation and interpretation of lyrics, and knows how to create her own drama. She is a talent who will be welcomed on major opera stages around the world,” they said.”

유윤종, 동아일보 (Gustav Yoo, Dong-A Ilbo)

“Gemma Nha erfrischte als druckvolle Barbarina.” “Gemma Nha was refreshing as a powerful Barbarina”

Stefan Ender, Der Standard

Later, as the unearthly Mater Gloriosa, Gemma Nha — a thrillingly evocative soprano, and an incoming Ryan Opera Center singer to watch — sang from the very back of the choral loft, sounding every bit like a voice from heaven. Those placements were pure musical pageantry, in the best way.

Hannah Edgar, Chicago Tribune

“Soprano Gemma Nha impressed with the richness of her voice and the purity of emotion expressed in “Tristes apprêts, pâles flambeaux,” in which Télaïre mourns the death of Castor. In total contrast was the warmth and delight in her singing of Cupid and the joys of love in “Régnez, plaisirs” from Dardanus.”

Rick Perdian, New York Classical Review

“Soprano Gemma Nha was quintessentially Hopper-esque and sounded lovely as Ruth, the failed dancer who has jilted Joe.”

Richard Sasanow, Broadway World

“…a powerful, soul-uplifting, spectacular production…Selections from Act 2 of The Marriage of Figaro… [were] the perfect comedy opening to showcase…Gemma Nha’s petite stature is in complete contrast to her powerhouse gorgeous vocals.”

Susan Lilis, Splash Magazines

“…a thrilling evening of impressive singing at Zankel Hall…Soprano Gemma Nha performed Joowon Kim's "Like the Wind That Met with Lotus" with a haunting feeling and ringing top notes.”

Meche Kroop, Voce di Meche